| FIDAROVA R.YA., KAITOVA I.A. THE PROBLEM OF HISTORICAL TYPOLOGY OF ART CONSCIOUSNESS OF OSSETIANS |
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At the present stage of development of Ossetian studies special importance is given to the development of theoretically and methodologically grounded typology of the historical development of art consciousness of Ossetians and their ancestors, the formation of the classification of the stages of its genesis, formation and quality of the dialectical development. The solution of this problem is the scientific purpose of the present article. The authors presume the attitude, coming from the most important methodological setup, according to which the bases for the development of artistic consciousness are the socio-economic conditions, historical and philosophical factors accounting for forms of functioning of artistic ideas and concepts of artistic consciousness in general. The logic and essence of the evolution of artistic consciousness is that this evolution contributes to the generation of “sensual”, emotional, epistemological and axiological beginnings in the contents of artistic consciousness. And thus seeks to adapt or adjust the objective reality to the interests and needs of its subject (the people, the ethnic group, nation). The logic of the evolution of artistic consciousness defines and explains ethno-national identity of artistic consciousness, its role in the relationship of real (“First”) and artificial (“Second”) reality, national and world culture. The artistic consciousness of Ossetians is a united, system integrity, with its own high-quality types in different historical periods and objectively dependent on the level of the dynamics of socio-historical development of its subject. Keywords: art consciousness, folklore, mythology, epos of Narts, literature, typology.
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